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Big Frank (Tupac’s Bodyguard) Talks About Las Vegas Shooting

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Frank Alexander (known as “Big Frank“), the former bodyguard of Tupac, talks about the night (September 07, 1996) of the Las Vegas Shooting. Frank has also published a book called Got Your Back.

Vegas was hot, but I wasn’t complaining. I was gonna see ‘Pac. While driving from LA the day before, I realised I’d missed the homie. It was my first day back at work from vacation, I’d spent most of August with my ten-year-old daughter, and I looked forward to going back to work. I was scheduled to bodyguard him through the weekend. Tupac was supposed to turn up at the Luxor hotel sometime in the afternoon, which was just as well because we had a security meeting early in the day, and I didn’t want it to conflict with his arrival. The meeting was held at a Vegas attorney’s office. Seems that for proper Nevada State to get clearance for security officers to carry guns, a letter should have been sent in advance. It was not done. No guns meant a lack of security. At the meeting the attorney confirmed we were not allowed to carry guns on us at any time especially at the club. Suge had gotten the Vegas police to agree to let him open Club 662 for the night but that didn’t mean they were happy about it.

If we were caught with a gun on us behind state lines, that’s all it would have taken for them to shut 662 down. It didn’t matter that out of the 20 guards on duty that night, most were police officers and all were legally licensed to carry weapons. Death Row couldn’t take any chances. The only way Suge got Metro to allow him to have his club open that night was because it was a benefit for some retired boxer. Once they got benefit status, he was allowed to open it. He wouldn’t have been allowed to swing it any other way, because he was having too many legal problems. It was, after all, Suge Knight’s club and anything related to Death Row didn’t particularly thrill them.

We’d hired extra security for the post-fight show that night. Run-DMC was scheduled to perform and if the last 662 performance was any indication, we could easily lose control of the crowd. Shit, when Tupac performed at 662 in November – his first show, after he got out of prison – the place got crazy. It was complete chaos. The club’s capacity is 680 but there were more than 1,000 fans that night. It was slamming but it was also out of control. Tupac, followed by Suge, David Kenner and the entire Death Row entourage, howed up late in his black Mercedes 500SL, wearing a derby hat and a vest, all charged-up to perform. Mike Tyson was there with his bodyguards, along with Dion Saunders and his entourage, and Forest Whitaker, who was drunk off his ass. Everybody who was anybody wanted in that night. Tonight, we really had to iron out security detail. The main objective was to keep the crowd under control. They didn’t want any problems because the Las Vegas police Department would shut the joint down if you dropped a match. All the rules had to be strictly enforced, and for this evening, that included leaving all guns behind. Like anyone who carries a weapon, I didn’t like being without it. It made me feel empty to be without my piece, a compact Colt 45 – a police officer’s special – that I always took with me on the job. I was never without it, I always had it on me, always, but on this one particular day I was told to leave it in my car. We were travelling in an entourage that night, so the chances of something happening were slim. That’s what I thought.

Ater the meeting we caught a ride with Reggie, he took us out to lunch at TGIF’S. When we finished eating, Reggie started bitching about Kevin Hackie, the bodyguard who replaced me when I was on vacation. They’d gotten into it over money. Kevin, who had worked with Reggie long before he hooked up with Suge to form Wrightway, when they were both policing the streets of Compton, managed to hook something up with the producers of Gang Related, the movie ‘Pac made in August. He got paid $10,000 for offering his technical advice on the shooting scenes. Reggie felt Kevin had undermined his authority by taking the ten grand and still taking money from Wrightway for bodyguarding ‘Pac. In my opinion, Kevin took what he deserved, Reggie didn’t see it that way. By now, we were at a carwash down the street from Luxor on Flamingo Road. Reggie Was spilling his guts about Kevin, and I was hearing him out, but I couldn’t help but think about Norris Anderson’s nickname for Reggie. He used to call him ‘Rona Barrett’, because he talked so much. Norris was married to Suge’s sister, and a Death Row executive. I listened to Reggie bitch all the way back to the Luxor. As soon as we got back to the Luxor, I didn’t have any trouble locating ‘Pac. The boy loved to gamble, and to find him, I just looked for the craps table surrounded by the highest percentage of hoochies. Kidada was up in her hotel room, As usual, his soldiers were right by his side. I made my way over to his table.’pac lit up When he saw me.

“Big Frank, what’s up?” ‘Pac always greeted me warmly, but this time I could tell he was particularly glad to see me, too. We all embraced – it had been a long month. ‘Pac was looking good. He was still skinny as all hell, he’d been working for a year straight with little let-up and it was taking its toll on him physically. He was sporting one of the new silky button-down shirts he’d gotten from one of the fashion designers when he was in Italy. More notably, he was boasting a new chunk of gold. A $30,000 diamond-studded medallion about three inches in diameter dangled prominently from his neck. In the middle, it had the emblem for Euphanasia, the name of a company ‘Pac had started. The image was of a muscular black angel of death, on his knees with his head tilted down by huge wings and a halo. ‘Pac and his crew always spelled names their own way and Euphanasia was his take on ‘euthanasia’, which means an easy and painless death, or a way to end suffering painlessly. I could toll he was really relaxed and up – he was always in good spirits on fight nights ’cause Tyson was hit boy.The Luxor, however, wasn’t treating him right – he was playing at a $25 table and he was losing. ‘Pac was bettor and this table wasn’t paying off so we decided to move things over to the MGM. It was about two or three pm and we had plenty of gamble before meeting up with Suge later for the fight.

While we walked over to the MGM, you could allready tell it was fight night. All the rich people were in town – sports heroes, celebrities, high rollers. You could afffiost feel the monev changing hands. We strolled over the bridge separating ” two casinos, and when we got to the MGM Grand, Tupac’s luck started to change. He began winning big. He was covering all the odds and was coming away with $1,400 to $2,000 a roll. He probably rolled the dice for two or three minutes – a long time on a craps table. Winners always attract a crowd, but as soon as people started figuring out who he was, the crowd got more serious. Tupac loved the attention. What better place for a high-roller gangsta to be seen rolling high, than in Vegas at a craps table. I started tensing up because everyone was looking to get in his face, Michael Moore had walked with us from the Luxor, and he had ‘Pac flanked on one side and I had the other. The Outlaws were staggered throughout the crowd, spread out so people wouldn’t know who they were.

Despite the size of the throng, everything was cool for a little while. When good mood, everything usually stayed pretty cool. It helped that he was on winning streak, because the Vegas code dictates you don’t disturb gamblers in action. But since it was ‘Pac, people were still trying to angle their way in. Dozens of hoochies were hitting him up for an autograph, a photograph, any piece of ‘Pac. It started getting more and more difficult to keep people out of his space, and it was getting close to fight time. I needed a phone to check in with Reggie at in case Suge was looking for him – he always wanted to know where at all times. The fucked-up thing was, I didn’t have my security staff MO-cell phone. While I was on vacation, Kevin used it and since he and Reggie were fighting, I didn’t have it on me because Kevin wasn’t coming to Vegas. I couldn’t believe I’m rolling with Death Row’s million-dollar boy, one of the biggest rap stars in the world, and I got to use a pay phone. I must’ve left him for about a minute, long enough to leave Reggie a message from a public phone a couple of feet away, before making my way back to the table. ‘Pac wasn’t there.

Goddammit, I thought to myself, he ‘s not being security conscious. All of them had taken off, leaving me behind, and they’d gone. To top it off, I was stuck without a phone for to get more and more uneasy. I circled the casino decision to walk back to the Luxor. If I had the radio. I could’ve reached anybody in the security immediately and told them ‘Pac had disappeared. I felt myself starting to panic. ‘Pac’s been kidnapped. I lost him, it’s my fault. Dammit, where the fuck is he?

As soon as I got to the Luxor, I began paging him repeatedly. I paged Michael Moore; I tried reaching Reggie. Where was everybody? Here I am, the number one guy, and I lose ‘Pac making a phone call five feet from him. It was the first time he’d ever left me, and it gave me an eerie feeling. My client had never been missing before. ” Big Frank! ” I hear ‘Pac’s voice behind me. A wave of relief passed over me. “‘Pac, where the hell you all been, man. You left me over there.” “Oh, I asked them where you were at,” he said. “Now I can’t find anybody.” Tupac Shakur, one of the most wanted men in America, had spent the last hour walking around Vegas alone. Even the Outlaws were nowhere to be found.

“Ah, Frankie, you know I can kick anybody’s ass down here,” ‘Pac boasted. “Dude, you cannot be doing this,” I told him. “You can not be shaking security, especially me, especially here in Las Vegas.”

“I ain’t worried about it.” ‘Pac, that ain’t the point. I know you can fight. The point is, you need security to step in and stop things before they happen. Do me a favor, don’t shake me anymore. Do not leave me without knowing where you’re at.” For all his bravado, he seemed distracted. It really appeared to bother him that the Outlaws were missing. He called them about half a dozen times but couldn’t reach them. The whole thing was odd, because they were always with him. He was like a pissed-off dad whose kids had run off to play.We sat down near a house phone and waited for someone to turn up. After another attempt to reach Reggie, we managed to hook-up. He told us Suge would meet us at the MGM before the fight. It was too hot to make that walk again so we decided to catch a cab.

I looked at ‘Pac, who hadn’t changed his clothes since we met at the casino. As usual, he’s not wearing his builetproof vest. It didn’t surprise me, nine times out of ten he didn’t wear it. It was always an issue between the two of us. But ‘Pac did what ‘Pac wanted to do. Before the cab driver could find a place to let us out, I sized up the crowd. It was out of control. As soon as Tupac got out, people started coming at us from all angles. “Tupac! Tupac! Tupac! Tupac!” I’m all that stands between him and them. As we’re walking through the mob, people started following us. I flagged down a MGM security guard, who could clearly see we problems. He escorted us behind the crowd out of the view of the to a private lobby near the entrance of the fight area.

We hung out there for a while, and as the fight began drawing closer, I watched Tupac begin losing patience. “I hate this shit. Suge does this all the time.” It was 15 minutes before fight time and Tupac was getting restless. The pre-fights were over and Tyson and Seldon were up next. ‘Fuck this shit, every time we go somewhere he always has to be flicking late!’ Tupac’s eyes were blazing. “I didn’t want to come to Vegas, no fuckin’ way. We gonna miss the fucking fight. ” Despite security efforts to keep crowds away from him, fans kept working their way towards him, taking pictures, asking for more autographs. I watched him get visibly more tense as each minute ticked by. “Go call Reggie and find out where he is.” I took off towards a phone knowing that he knew and I knew it wouldn’t do a damn bit of good. Suge always made him wait and this night was no different. I made the call anyway, a thinly veiled token attempt to ease ‘Pac’s tension. Waiting on Suge was a recurring problem. We’d call a meeting and wait three, four, sometimes five hours for Suge to turn up. The fact that this was a Tyson fight apparently didn’t make any difference. “I’m gonna get my own goddamn tickets,” Tupac said. But we both knew the truth: we weren’t going anywhere. We were gonna do what we always did – wait on Suge.

When he finally arrived, it was just him and one of his homeboys. He pulled out four tickets to get us in, and as we were entering, the National Anthem was playing. Security held us up, but Suge and ‘Pac continued to walk toward the ringside seats. “You’re not going anywhere till we let you go by,” said one of the officers. Oh no, here we go already. Suge and ‘Pac started to get hot-headed and I was foreseeing the first fight of the night. Luckily the anthem ended before they blew up, and we made it down the aisle to watch the fight. Which seemed to last about a minute. No matter to ‘Pac. He was jumping around hysterically because Tyson took him out so fast feat. “50 blows! 50 blows! I counted them,” he said jumping up and down with a pugilist’s pantomime. “He hit him 50 times. Bang bang bang bang bang … Boom!” With ‘PW leading the pack, we worked our way backstage, and started to mingle with the Tyson camp. We were only them for a couple of minutes before Suge gave the word to leave. This was the first time ‘Pac wouldn’t be allowed to great Tyson, which he did after every fight. I started to mull over the day, and I realised everything seemed just a beat off. I didn’t have my phone, I couldn’t carry my gun, ‘Pac had left me and then lot his boys. I started getting a strong premonition that a long night lay ahead of us. As we exited the backstage area, we met up with the reel of the entourage, which included all of Suge’s homeboys and all of ‘Pac’s Outlaws. Everyone was crowding around the entrance area, and as we were standing around bullshitting about the fight, Travon – one of Suge’s homeboys – came up to ‘Pac and whispered in his left ear. What he whispered, I don’t know, but my heart sunk. It really was gonna be one of those nights. Like lightning, ‘Pac took off running, and I took off running behind him.

Orlando Anderson – I would learn his name later – stood about six fast one, and it locked like he was anticipating the arrival of someone. Not necessarily Tupac, but someone. He was standing with an MGM security guard who appeared to have him detained. Tupac started swinging and Anderson want down immediately. As he fell to the ground, the entire Death Row entourage showed up. At that point, I was pulling Tupac away from Orlando, trying to get him off him. ‘Pac’s black angel intervened. A link on his medallion broke and he stopped beating on Orlando when the necklace snapped apart. While he went down to grab it, I grabbed him and pulled him away from the scene. I ushered him away from the scuffle, and had him up against the wall. “Goddammit, ‘Pac you knew you can’t be doing this!” I told him. “I’m not gonna let you back over them. Use your head! You’ve got a court date coming up. ” My back was to the fight, but I could hear security coming up. I started easing Tupac out of the picture. My whole objective was to keep him out of it, but he wanted back in. As he attempted to jump back into the crowd, I reached into the fray and plucked him out a second time. At this point I could see Suge and his homeboys kicking Anderson while he was still down.

“Let’s go,” – I heard Suge yell, and everybody started to scatter. The only problem was, no-one knew which way was out and people started to panic. I had scooped out the exits earlier when I was looking for ‘Pac, and knew where to find the nearest door. The crowd saw us head outside and followed us out of the building. As we made it to the exit, I could hear security calling for Metro. We proceeded to go back to the Luxor by foot, and we were walkin’, everyone’s talking about the fight. Tupac didn’t waste any time chiming in. The bragging started before we even hit the bridge. ‘It was just like the fight. Boom, one, boom, two and he was down. I took him out faster than Tyson!’ Everyone was laughing and congratulating him and no-one asked why he beat on the guy. For his part, Tupac didn’t offer an explanation. It didn’t matter to him why he did it. It was just another fight – another chance for him to prove himself. For ‘Pac, bragging after a fight was like having a smoke after sex. He’d get all charged-up, and I just looked at his behavior m another part of Thug Life. At the time all I was thinking was, Thank god we got out of there. By now, we probably had at least a 100 groupies following us back to the Luxor. Men and women, young and old, every kind of hanger-on you could imagine. I was the only bodyguard.

Everyone else had their instructions to head over to 662 and no-one in security knew what just happened. I’m on Tupac like glue now. When he want upstairs to change, I went with him. While Tupac switched out of his jeans into a pair of matching green jersey, I fixed the link on his medallion he out. I realize I was dehydrated from all the commotion. I began thinking about what just happened. Oh well, I tell myself, it was just another fight, and it’s over, every other fight we’ve had in the past, except we didn’t get stopped by the police. There were no witnesses, no guns drawn. At this point, I’m not thinking about the cameras, and what they might have captured on video. I didn’t know till later in the weak, that the guy he beat up was a Compton Crip they believe tom up a Foot Locker in the Lakewood Mall after trying to snatch Trevon’s Death Row necklace. Apparently there was $10,000 bounty for them. None of this would come to light until much later. In the meantime, all I was thinking about was making it through the rest of the evening with no more bullshit.

While the rest of the world was talking about the Tyson fight – did Seldon take a dive or did he take a punch about the night’s real fight. As usual, Kidada missed all the excitement, and he had to fill her in. She loved his roughneck side, and this was as close to the action as she usually got. He didn’t invite her to the club tonight, either. We went back downstairs to the valet parking area, and it was a complete and total scene. The Death Row entourage was in effect. People were getting in cars and heading over to 662, and girls were making their way over to us. Okay, you wanna see some some hoochies, here they were. There’s nothing like fight-night hoochies. These women put an the skimpiest outfits possible, most of them half dressed, with their breasts hanging out and asses hanging out, all angling to get into 662. None of our entourage was in a hurry to get to the liked making showy entrances and he wasn’t about to arrive early. Finally, Suge signalled it was time to go to his house, and ‘Pac pulled me aside. “I want you to drive Kidada’s Lexus with the Lil’ Homies, and I’m gonna ride with Suge.” My gun was in my car, a two-seater parked on the other side of the hotel, and I knew I couldn’t say, ‘Hey, Suge, ‘Pac, why don’t you wait up a minute while I go over to my car?’ It wouldn’t happen. Once we’re rolling, we’re rolling – there’s no time to make a run. I wasn’t allowed to carry a firearm tonight anyway, I told myself, and there’s going to be 20 security guards waiting at the club by the time we get them. Besides, ‘Pac wants me to do him a favor and look after his Outlaws. Most of ’em can’t drive legally, and ‘Pac know they were gonna get drunk. Somebody had to drive. I meant worried. We’d make our way from the hotel to Suge’s and onto the club like we had many times before. As soon as I got in the Lexus, however, another red flag went up. The light was on that indicated the tank was on empty. I had no idea how much reserve Kidada’s car had, and I knew damn well we mart gonna be stopping for gas. I had to pray we’d make it to Suge’s and to the club, because we wouldn’t be able to gas up until the evening was over. To make matters worse, Suge had a lead foot – nearly as bad as Tupac’s – and I was chasing him on fumes.

The capper: I had to keep the windows down – we couldn’t risk running the AC. Suge’s house was a sprawling one-level mansion across from Mike Tyson’s and Wayne Newton’s homes. Like everything Suge owned, it was dominated by the color red – red carpeting in the master bedroom, red fixtures throughout. It looked the same as it always did, but one detail stood out: had the pool pained a deep blood red in shape of the Death Row emblem. We only stayed there for about ten or 15 minutes before the cars started lining up to see – a parade of some of the most badass gangstas around. The entourage consisted of about a dozen cars, all top-of-the-line Mercedes, BMWS, Cadillacs, and Lexuses, and nearly all in black. Suge’s homies were all Compton street thugs, afraid of nothing and nobody.

As we were taking off, you could hear the Pioneer systems bumping that bass so loud the ground was trembling. Right as we were nearing the strip, a bicycle cop motioned Suge to pull over. My windows were down, and I could hear them pumping Makaveli, ‘Pac’s latest project – ‘Pac always listened to ‘Pac when he was driving, he used the time to review what he was currently working on. It seemed the cop had given it a thumbs-down – they were playing the music louder than the city’s limits allowed. Suge was driving a brand new 750IL that he’d just bought the week before and he hadn’t even put in his custom stereo yet. The car didn’t have plates, it had come straight from the dealer. The officer asked Suge to step out the car. II was right on the tail and I could see Suge get out of the car and walk toward the back. He seemed to be relaxed as he opened the trunk and so did the cop. Suge got back in the car and that was the end of it.

I don’t know how they managed to avoid being busted for marijuana. It didn’t matter that both of them were on probation, ‘Pac had dope on him 24 hours a day. His mindset was, “I’m a multi-millionaire, I have the best attorneys in the country. I’ve got more cash in my pocket than you’ll see in a year, so fuck ’em”. They didn’t take this shit seriously. Their lifestyle, and the way they view pot is, it’s a minor offence. Until I saw Suge drive off, I was sweating it, literally. Between them messing with the police, no AC, and no gas, I had plenty to be worried about. At this point I wanted to suggest to Suge to make a right turn on Tropicana, so we could enter the club the back way, and the only reason I didn’t was he’d already blown through the light. He was moving too fast. Suge knew the shortcut too, and if we were just going to the club to check things out during the day, he would have taken it. But he took Flamingo to make his presence known. They had Makaveli blaring, an entourage of cars, and Tyson had won. To top it off, they’d won their own fight and were probably feeling extra good. As we were cruising down Flamingo, women were rolling up beside the cars and joining in the entourage. Everyone wanted into the club tonight, and that’s how many of them usually got in – by sliding in with us. Crowds of cars started surrounding us, and I started to get the same feeling I had at the casino when ‘Pac was on winning streak. All eyes were on him and at any moment, things could have sprung out of control. As we stopped at a red light, a white caddilac rolled up next to us. I can still see the car clearly, it had the distinctive brake-light configuration that all new-model Caddies have. I replay that image over and over in my head. It was just another red light, and it was just another white Cadillac. Suge’s homie K-Dove was travelling in front of them, and I am directly behind them. I looked dead at the car, and I saw the arm come out and the gun. Bam bam bam bam!

My first reaction was, Oh my fuckin’ God. I jumped out of the car, and as I was running up to Suge’s BMW, the white Cadillac sped off and made a turn to the right. As I reached the BMW, teary-eyed and in shock, I’m thinking, They’re dead. They are dead. There’s absolutely no way that anyone in the car’s moving. Before I made it to the back of the car, the BMW took off and did a U-turn to the left. K-Dove also whipped a U-turn, and I ran back to the Lexus, jumped in and began following them. I can’t even tell you how fast we were going. We jumped every median getting back to the Strip and we caught up with Suge’s car at Vegas Boulevard and Harmon. It had made it through the intersection but was grounded by two flat tyres hitting the medians. I jumped out of the car and saw that the Vegas PD were everywhere. I ran up and identified myself as Tupac’s bodyguard and an ex-cop, and they allowed me to come in. Everyone was trying to get at the car but the cops were containing the crowd. I couldn’t believe my eyes. What the fuck was Suge doing spread-eagled on the ground? His hands and legs were stretched out and two cops were holding him down. Blood was squirting out of his head.

“You got the victim on the ground!” I screamed to the cops. Suge is looking up at me, and I could see the bleeding getting worse. “Let him go!” I’m yelling. “He’s been shot at!’ They let him up and as soon as they did, Suge and I ran to the BMW to try and get ‘Pac out of the car. The door was stuck for some reason, and I could hear Suge saying again and again, “I know how to open it. I know how to open it.” I reached for ‘Pac through the window. The medallion and his jersey were soaked in blood and his body was trembling, like he was cold. Through tears, I started talking to him,”You’re gonna be okay. You’re gonna be okay.” By the time Suge got the door open, the police and the ambulance had arrived, and we got him off the ground. I knelt down next to him and touched him. “You’re gonna be okay, ‘Pac.” I was trying to keep him conscious. “‘Pac, you’re okay, you’re okay.” As I’m kneeling down beside him, I could see him looking up at me. “Frank, I can’t breathe,” he whispered. “I can’t breathe.” “No man, you’re okay,” I cried. But he kept repeating it over and over again. “I can’t breathe. I can’t breathe.” With his own strength, I watched him move both of his hands and cross them over his body. With his eyes open, he took a deep breath and let out a sigh. He closed his eyes. That was the last time I saw him breath on his own.

Материалът Big Frank (Tupac’s Bodyguard) Talks About Las Vegas Shooting е публикуван за пръв път на 2Pac Legacy.


Today Marks 21 Years Since The Last Night of Tupac Shakur

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At 11.15pm on September 7 1996, the black BMW in which American rapper Tupac Shakur was travelling with Suge Knight, founder of Death Row records, stopped at a red light in the centre of Las Vegas.

As they waited for the lights to change, a white Cadillac pulled up alongside, from which 14 shots were fired. Tupac was hit six times, with one bullet puncturing his lung.

He died six days later (September 13. 1996), at the age of 25, from injuries sustained in the attack.

Check: Tupac’s Death in Las Vegas (Videos, Photos & Full Information)

The Last Photo

Материалът Today Marks 21 Years Since The Last Night of Tupac Shakur е публикуван за пръв път на 2Pac Legacy.

Storm – Wild Child (1996)

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Storm: ”I haven’t heard this song since I recorded it back in early 1996. Pac was still here. We were working on ideas for my solo project which Pac wanted 2 include a Run Tha Streetz 2 type song. Sometimes I would just go 2 the studio solo and work on ideas myself 2 present 2 him later. I sang the hook, not for it 2 be there permanently (smh), but 2 lay a guideline down of how I wanted it sung by maybe Je’well or Keyshia. I am pretty sure that Tyrone (aka Hurt M Badd) produced the track. Pac couldn’t do a video for the original Run Tha Streetz on All Eyez due 2 record label politics so he was adamant about us doing a 2nd version for my album because he said that the Fans really wanted it… Storm Outlaw”

Storm – ”Wild Child” was leaked in July, 2016 by Bomb1st.com

Материалът Storm – Wild Child (1996) е публикуван за пръв път на 2Pac Legacy.

Storm – All Bullshit Aside (1998) –”THE LOST FILES”

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Storm: ”I have solo work that are lost in other’s hands from the past (red tape), and I have new material that I have control over. I haven’t decided what I want 2 do with them, but, yes, I’m always creating… Storm Outlaw”

The ”All Bullshit Aside” song was recorded in 1998, but leaked in 2017 by Storm.

Материалът Storm – All Bullshit Aside (1998) – ”THE LOST FILES” е публикуван за пръв път на 2Pac Legacy.

Storm –”Pain”

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Storm: ”Pain” was not a tribute song for Pac. It was a song for a soundtrack album. QDIII interviewed me separately for the ”Thug Angel” soundtrack while I was in the studio and he basically merged my interview in 2 the song ”Pain”. We had just got back in contact and he had already shot the documentary so he just wanted 2 incorporate me in 2 the project somehow, so I did a quick audio interview about Pac. He loved my tattoo “Thug Angel” which is on the back cover of the CD and named his project Thug Angel. ”Pain” was just a beautiful song about a relationship that I felt everyone could relate 2. Thanks, Storm…”

source: stormoutlawmusic

Материалът Storm – ”Pain” е публикуван за пръв път на 2Pac Legacy.

Storm – Neva B feat. TJ (2003)

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Storm – Neva B feat. TJ (2003)

Lyrics:

[TJ singing] Yeah, Yeahhhh, Ohhh
Oh, Ohhhhhhhhh
Oh, Uhhhhhhhhh, Ohh

[Verse 1: Storm] I was once a little girl with the same mind
Quick to holla at a nigga with the same line
I had a little .22 just to back me up
For them suckas on my block that be acting up
I heard Brenda had a baby and that’s real nice
Until Brenda turned Krazy and took that life
Now I’m strugglin’ with these words tryin’ to understand
Cause I was Brenda’s little baby breathin’ again
Now tell me who do you believe in ’cause life goes on
It’s just me against the world, run the streets alone
With these crooked ass niggas I see death around the corner
Lord knows it ain’t easy tradin’ war stories
Point the finger open fire I’m an outlaw
Only god can judge me If my homies call
Holla at me heaven ain’t hard to find
Got my mind made up against all odds

[Chorus: TJ] Listen…
A penny for your thoughts, please
You can be a millionaire
But there’ll Neva B no one quite like you
You’re so rare, rare

[Verse 2: Storm] First it was all about you now all eyes on me
So I’mma bomb first fuck the world they can’t see me
Guess who’s back the rebel of the underground
With a thug passion something wicked to live and die
In L.A. when we ride the streets is Death Row
So many tears no more pain for lost souls
Dear mama you were just like daddy
But I ain’t mad at ya cause ya never wanted to have me
Wonder why they call you bitch cause you scandalous
But I will never call you bitch again that’s blasphemy
Temptation got me trapped in this white man’s World
Fair exchange I’m taking back everything they owe
Don’t make enemies with me cause life is hell for a hustla
I’m getting money worldwide uppercuttin’ these bustas
Fake ass bitches fuck all y’all cradle to the grave
Give my letter to the president tell him make it better days

[Chorus: TJ] Listen…
A penny for your thoughts, please
You can be a millionaire
But there’ll Neva B no one quite like you
You’re so rare, rare

[Verse 3: Storm] They don’t give a fuck about us this life I lead
This ain’t livin’ shorty wanna be a thug for real
I got a million dollar spot Hennessey and weed
Strictly for my niggas never had a friend like me
I stay high till I die god bless the dead
Hail Mary for a hellrazor hold ya head
How long will they mourn me If I die tonite
I’m runnin’ on e starin’ through my rearview light
They say the good die young but what about a bastard
Same song thug style teardrops and closed caskets
Letter to my unborn last words to my seed
In the event of my demise baby don’t cry please
Shit don’t stop that’s just the way it is tattoo tears
To my closest road dog still heavy in the game
Are you still down?, down, down…

[Chorus: TJ] Are you still down, down for me, yeah
A penny for your thoughts, please
You can be a millionaire
But there’ll Neva B no one quite like you
Oh no, you’re so rare, rare

[Outro: TJ singing] There will Neva B Neva Neva B
There will Neva B no oh oh oh
Oh, There Will Neva B neva neva neva neva neva
Neva neva neva neva neva Neva B
Neva Be no one Neva Be no one
Neva Be no no no one, no one quite like you
You… You…

Материалът Storm – Neva B feat. TJ (2003) е публикуван за пръв път на 2Pac Legacy.

The Story Of How Tupac Recorded ”California Love”

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Chris Taylor, known as “The Glove”, is a pioneer DJ and producer on the West Coast hip hop scene in the 1980s and 1990s.

laweekly.com talked with Taylor about how it all went down…

You were on hand when Dr. Dre and Tupac recorded “California Love.” 

I was at Dr. Dre’s house in Calabasas one afternoon [in 1995] because he was always hosting barbecues at his spot. He had a studio in the back and he called me over to it so he could play a track for me, which turned out to be the beat for “California Love.”

The sample and the drums were already in place but he told me that he was going to have come musicians come over and replay the horns that were in the original sample. The musicians came through and did their part and afterwards I laid down the keyboard parts heard throughout the track. After the track was complete, Dre told me that he was keeping this beat for himself.

As the party went on at the house, Tupac ended up coming through and he kind of snuck up behind me, because he was stealth like that. We said hello and shook hands and then he left to enjoy the party — or so I thought. A short while went by and I went back in to the studio to see what was going on, and I saw Tupac in the booth recording a verse to the beat we had just made.

The entire process was about 20 minutes all-together and it was just amazing.

So Dr. Dre changed his mind quickly about his plans for the song?

The song was his for a period of about three hours, and once Tupac showed up to the party, it became theirs. I wish I had another opportunity to work with ‘Pac but that night would be the only time that we were ever a part of project together.

He was just a great example of someone that was ready to work on the spot and because of that he could just show up to a party and record a classic hip-hop song that will be remembered for all time. After the session, Dre replayed the track about 50 times but ‘Pac only stayed for a few playbacks and then he bounced and went off to the next thing – that’s how he was known to work.

Did Dre know that he had a classic on his hands when you guys finished?

When Dre makes a hit he knows it and he knew that song was a hit. With the addition of Tupac it became a classic, which is why we could listen to it repeatedly in the studio and not get tired of it. When you can get tired of it then you know that song isn’t going to hold up.

Материалът The Story Of How Tupac Recorded ”California Love” е публикуван за пръв път на 2Pac Legacy.

1996-05-11 / Issue Date Of Motor Vehicles Image Of Tupac Shakur


Storm – My Life feat. Big Syke, Big Tray Deee & Val Young (1998) –”THE LOST FILES”

Macadoshis of ”Thug Life” Interview

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Onealien: Hello
Mac: Yeah
Onealien: Macadoshis
Mac: wats up dude?
Onealien: Wat up man, this is onealien from makaveli-board.net
Mac: Aight, wat it do …
Onealien: Ey, appreciate ya time bro..we uh, we uh, went all across the world, all across the internet and uh had a lot of fans that put together some questions, you ready to hit it?
Mac: Aiight lets get it in…

Why Thug Life broke up:
Onealien: aiight lets do this, tell me something, why did the members of Thug Life break up?
Mac: Why did the members of Thug Life break up?
Onealien: yeah
Mac: Well, you know, to be honest with you we never really broke up dog, you know everybody just basically started doing their own shit. It wasn’t ever like fuck that we aint gunna be a group no more. Or nothing like that, that was never said. I ended up going to jail for a minute, I had to sit down for about 2 class years. Rated R….some people do know, he got a life sentence for murder.
Onealien: Yeah, Yeah
Mac: It was like different circumstances that happened that kinda disbanded the group, know what I mean?
Onealien: Just kinda hard stuff happened right?
Mac: Yeah, but you know to be real homie, we gunna always be Thug Life. We gunna always…you know whenever we get a chance like we just finished, oh uh, you know last year you know the outlawz came out to LA we did a show in long beach it was me and the outlawz and you know so we represented Thug Life and the outlawz and Pac. You know what I mean? So, when we get a chance we probably give big syke a call and you know and the outlawz and probably do it again and put something out for Pac, feel me?
Onealien: Yeah, Yeah, Thug Life for Life!
Mac: Thug Life for life homie.

Onealien: Speaking of Rated R, you talk to him at all?
Mac: I haven’t talked to him in a long time bro, but you kno that’s still my little homie so I got a lot of love for him, you kno? And I want to shout him out, shout out Rated R, you kno, free Rated R, and you kno tell my homie to hold his head you kno, and all we can do right now is pray for homie, feel me?

Onealien: Word up, word up, how bout uh mopreme?
Mac: Yeah, mo good, you know I haven’t talked to mo in a while. You know I had a tragedy in my life a couple of years ago on Feb 3rd. This passing made 2 yrs that um, you know my son passed away, my oldest son. You know he was going to Cal State Northridge studying film and had a 3.5 grade point average all that doing real good man, mentoring kids and basically playing basketball on campus as forward and his heart stopped out of the blue. Know what I mean? Never had any type of a symptoms or nothing like that. So the last time I seen Mo actually was like 2 yrs ago at my sons funeral. I haven’t really seen him since then, you kno, we aint really talked to0 much but that’s still my homie.

Macadoshis the family man:
Onealien: Yeah, sorry to hear about that man, RIP. So I kno you a family man, you still married.
Mac: Say that again?
Onealien: I said I know you a family man, what family you got? You still married?
Mac: Oh yeah, Im still married, no doubt. Shout out to my wife….you know she still be holding me down through the years, you feel me? I still got 2 sons left, all my sons, all my kids is from my wife. I wasn’t really big about spreading my kids around, know at I mean? At least that’s all I kno about…haha
Shit, I got my oldest son now that’s 20, that’s Dede, peace out to Dede. And my baby boy is 5 yrs old his name is Deon we call him bookie.
Mac: oh I wanna shout out my son though RIP, his name is Dyron, you know he was named after me. That’s little Dyron, also known as Man, you know, so shout out to Man #21…feel me?

Onealien: Word up, yeah, for real for real. Ey they asking what up with your myspace, they aint seen you on there in a while.
Mac: Yeah, imma be real dog I be in the streets so tuff, I just be grindin and shit you know old school style in the streets n shit, get my money…I got a tshirt line that im moving right now called Hustle 24/7 pushin those shirts n shit out here in the streets, I got um…I sell indian hair as well. You know I always gotta hustle, even before this rappin shit popped off you know I was doin my thing, you kno a lot of shit has been said but you can read between the lines I was always out in the streets kickin it…you feel me?
Im still kickin it, but im just kickin more legitimate way, you feel me?
So I aint got much time to really be fuckin with that computer, even tho I know that’s another outlet to network and get shit poppin, I been tryna get all this you know as much as I can but you know a lot of time Im in the streets just getting it like that.

Macadoshis on THE OUTLAWZ:
Onealien: Ok, ok, ok…ey as we all know Thug Life and Pac and the Outlaws, how you feel like the Outlaws have represented Tupac’s Legacy moving forward?
Mac: Well you know I feel like the little homies is out there doin they thing, you know, they know pac.
The thing pac left us with a legacy, and he left us with a million dollar game you know to keep moving this and I feel like they doin their thing, they out there doin it the best way they know how. So shout out to the Outlawz. To all my lil niggas, you know I seen them little dudes grow up since they was yungstas you feel me? So shout out to all of them, feel me?

Macadoshis on the rap game:
Onealien: ey tell me man, cuz u been in the game a long time so what are some of the main challenges in the hip hop music industry that they gotta keep a look out for?
Mac: ok, yeah right, ok. Shit basically, first and forrmost they should have their business right. They should have a good lawyer on their team. So when they step into the game they don’t get fucked off, cuz a lot of people will step to them and wanna take all their royalties and stuff like that and take all their publishing and stuff like that just to get them to sign. They gotta make sure they got a lawyer first and foremost, make sure their business is tight. Second I would say look for like, I mean the haters are gunna be there, you cant really avoid that. But there is gunna be a lot of mofo that wanna play like they your homies and they are down for you. I would just say really try to keep the circle small. Like I got a saying called my trues come in two’s. So the true people who got love for me and that really is looking out for Macadoshis best interest, is only a few of them, and those are the people I keep close to me, feel me?

Macadoshis – How I met Tupac: the birth of THUG LIFE
Onealien: Do you remember when you first met Tupac?
Mac: Ohh yeah most definitely, I’ll never forget that day man. For me that was like a dream come true. It was a surprise cuz like me and my boy Rated R, we was a group before we met Pac. We was a group called Double Jeopardy. That was our group…. We was like local talent here in LA, you know rockin little clubs here and there. But you know we was both fuckin with Coolio, at the time and Coolio was tryna get us a deal and shit like that. So one day, um, we was leaving a radio station and these ballers was like come meet these cats at the hotel up here by the comedy store in Hollywood, I got a surprise. So we shot up there and shit, long story short, we got to the door. Once we got to the door, knock on the door, and my boy Treach from Naughty by Nature opened up the door! So we was like Oh wow, this is fuckin Treach. Yeah but Treach is hella cool tho, shout out to Treach from Naughty by Nature too. You know Treach is always cool dude, like when we first met him, he embraced us like long lost brothers man, he aint ever seen us in his life. But he just snatched us up and gave us hugs and shit and pounds like he been knowing us all his life. So he was a real cool dude, like he welcomed us in real cool like so I could tell right there it was gunna be tight, know wat I mean?
So yeah, we fell into the room n shit, you know, and walked up in the room and we look around and some bad little bitches sittin up in there on the bed n shit and we like ok, they got all kinda drinks on the table and smell the weed smoke in the air and we turn around and look to the side and who is it? It’s fuckin TUPAC! It’s like wow, what the fuck, we in the room. I mean it was like surreal, know what I mean? I just look back at it now and I’m like damn, just imagine being a young artist, a young rapper out the hood trna get on with it. Finding yourself in a room with Treach from Naughty By Nature, Coolio, and Tupac. It was just favor. You can tell that was the time to shine, if you was ever going to try to shine that was it.
Onealien: That was the moment?
Mac: That was the moment. Everything happens for a reason. So God was shining on us that day when he had us in that circle amongst those great guys right there.
So long story short we got to smoking n shit and drinking and kickin and choppin it up. So I kinda kicked it off, I was like treach you aint got no instrumentals up in here? And my boy Treach was like what instrumentals? So Treach went and grab some cd’s, as a matter of fact it wasn’t even cd’s back then, it was tapes n shit! He grabbed a fuckin cassette tape and it was like 19Naughty2, um the instrumentals form that album. He popped that on and we just started spittin, it was like we got in a circle and got a little cypher going and we was spittin…And whenever I tell this story I always gotta say it like this man, I aint lieing, I always been a pretty good freestyler but like THIS day it seemed like every fuckin word, every line, every, everything I said was poppin, it was just on point. And same for Rated R. And so they was trippin of us like damn. By the time it was over Treach was steppin to us like man who ya’ll fuckin with? Like ya’ll aint on right now? And we was like naw, we just tryna get on. And he was like shit man imma do what i got to do to help you make, help ya’ll get out there. So we exchanged numbers and all that…And he told the dude Vinnie from next door to bring some shirts and all that. So it was about time to bounce tho. So we getting ready to leave and we give everybody dap this and that.

We get in the elevator, soon as we get in the elevator my boy Rated R comes out of his pocket like look. Showed me a piece of paper it was Tupac and a note on their like ya’ll call me tomorrow. It was crazy like Pac slid him the number on the sly, know what I mean. Treach was upfront with it like he saw something, but Pac was just Pac and just slid him the number and was like ya’ll call me tomorrow. So we end up calling him the next day. Actually we had met him on that Friday, Saturday we called Pac, he invited us out to his house. He had a house out here in the valley and we went out there and chilled with him at his house, smoked big weed n shit and we was choppin it up and he was telling us about a group he wanted to start called THUG LIFE and you know if we was down we could be in it and shit. And of course we was like HELL YEAH! This how fast the shit happened tho dog, met him on Friday, that Saturday we went out and chilled with him at his house, he told us about THUG LIFE. We said yeah we want to roll with it. That Sunday…then he was like well I’m doin a show in San Diego tomorrow (Sunday), if ya’ll wanna roll ya’ll can roll you know ya’ll cant rap or nuttin like that but you know, ya’ll can be on stage n shit. So we was like hell yeah we wit it. So we met him on a Friday, that Saturday we went and chilled wit him at his house, that Sunday we was in San Diego with him doing the show, and that Monday we was in the studio recording our first record! That’s how that shit happened dog.

Onealien: Damn, just like that, just like that! He was a visionary, when he caught on to something it was a done deal.
Mac: you know I thank God for that day man, know wat I mean? Because Pac was always a real dude, you know what I mean, like from day 1 I gotta say that he was a real dude, he was an honest dude, he was always a man of his word, everything he told us what he was gunna do he did it. I just, I solute ma dog…without him I don’t even think I’d be where I’m at right now in the game as far as in the spot game. Because I got a lot of respect out here.

Mac: so on the strength right before I met Pac I had a lot of love out here where I’m from but you know just as far as around the world and being a part of something…you know, especially to be saying I was a part of THUG LIFE, you know what I’m saying?

Onealien: Yeah, yeah, yeah….
Mac: s***, I had to put the phone down, the fuzz was rollin in front of me, you know what I’m talking about?

Onealien: HAHA…cant be on them phones in Cali huh?
Mac: yeah, you know we get major muthafkin tickets up in this muthafka, talking on the phone n s***. But uh, you know like I said it was definitely something special to be a part of and still special to be a part of cuz that’s something that I can take to ma grave you know not like too many people. like I always say this too like I appreciate it so much cuz it’s like out of a million people that just wanted to meet Pac shake his hand get an autograph or whatever. So God picked me to make an album with this dude, to travel with this dude, you know kick wit him, damn near live with him. Know what I mean, like it was different cuz we used to just kick it like dude used to come right up in the hood and chill wit me, we used to lift weights n s*** together. You know he used to chill with my kids n s***, my wife, my sisters, my brothers, anybody, you know what I mean?

Why Tupac joined Death Row:

Onealien: What’s your opinion on when Pac joined Death Row Records?
Mac: I always went on record sayin I didn’t real like, uh, feel like he shoulda f***** with that. Because I knew there was a lot of drama going on over there at that label at that time. I wish he wouldn’t have ever f***** with it to be honest, that’s always been my statement and opinion about it. My main reason is because he had Out the Gutta Records. And Out the Gutta Records, that’s your own label so why you going to go slide to another label when you got your own label. But I know he had his reasons why cuz really at the time all these mofo’s too…this what get me hot too when I think about it, all these mofo’s that say they had love for Pac and you know, was down for Pac, I mean these muthafuka’s had millions. Like actors and other rappers n s*** like that but when my n**** needed to get bailed out didn’t nobody come to his rescue but Suge Night. So he was kind to him, but he was in debt to that dude to sign to Death Row. That was part of the deal of him getting out of f***** jail.

Onealien: Yeah, yeah, that real…that’s real.
Mac: So understand tho on some real thought, if somebody else would have stepped up and put some money up to get that n**** out I guarantee you he would not have signed to Death Row.

Death of a Legend:

Onealien: For real, for real…that makes sense, yeah. Ey Mac, tell me something about you know the past 15 years or so, you know RIP Tupac. But you got a lot of alive believers, people talking about conspiracy, and he’s in hiding, and went off to do other stuff…as someone who really was with him and walked with him, whats your whole opinion on all that?
Mac: my theory on it is that It was bigger than what it was. I don’t know man I just feel like muthafukas wanted to see Pac out of the way. I really feel like n***** is just, just um, he got into and some n***** smoked him and s***. I just feel like..and then especially for Biggie to get popped right after that, see that’s when the whole east coast, west coast thing was poppin off. I’m like this, if the government wants you erased its just a done deal, you gunna be gone, you feel me? Them movies and s*** the bourne identity and all that s***, that s*** is real, that s*** goes down every day, you know what I mean? They will have some mofo sitting right outside in the bushes waiting for you and knock you right off, you know, quick! So you know, I feel like it was a hit, you know what I mean, they definitely was plotting to get ma dude, they wanted him out the way. Because Pac, one thing about Pac, and everybody who know my dude know this, the world should know this…Pac was the most influential rapper EVER in history! He had the power to f***** move the masses. And I mean not only white, I mean not only black, but black, white, Mexican, Asian, any f***** culture or nationality had love for Pac cuz he knew how to identify with everybody.

Onealien: Word..word up, word up…
Mac: So with that said, I feel like if you too powerful like Malcolm X, and MLK, and just all types of fellas like that, you know Bob Marley, and just all types of dudes like that then people will erase you. Well I didn’t really mean to put Bob in there like that. But its just like if you got too much power or the government feel like you can get some s*** started then they gunna try to get rid of you before you can get some s*** started, feel me? So that’s how I feel about that man. That’s my theory on that, it was definitely a hit and they definitely wanted to get my dude out the way.

America’s Black President:

Onealien: Ey man, let’s move to today’s times…what you feel about the United States having a black president?
Mac: Oh, I mean you know, s*** its about time. Its like we helped build this mofo so its only right. And that’s a true blessing cuz to be honest honest, I didn’t never think that s*** was gunna happen. They always told us we could be president you know when we was kids but I didn’t ever really believe that s*** man because I know how f***** racist this country is and that it was built on a white man and this and that. I didn’t ever think they would let it happen, but it goes to show that with time come change so that’s a good thing. I’m glad I was able to see it in my days.

Mac’s All-time Favorite Rapper:

Onealien: Tell me something, still keeping it with today who’s your favorite rapper? Who’s putting it down right now? Who you got in your CD changer today?
Mac: Who’s my favorite rapper all time?

Onealien: all time and then who today, like the new generation rappers?
Mac: ok well my favorite rapper all time, and this is a funny a** story cuz its real stuff. My favorite rapper all times, I would have to give it to my dog SCARFACE! Ol Scarface man, I always dug that dude man. Like to me, face always spit from the heart s*** that he was so raw with the way he got down wit it. But I remember being on tour with Pac and s*** and we was on the tour bus and I had this f***** scarface cd and I used to bang that s*** like every day like all the day I’d be playing that s*** on the bus. And I remember one day Pac was like “damn n**** why don’t you put something else on that’s all you play and stuff, dang”. And I’m like YEAH N**** that’s all I like! And I just turned the s*** up..HAHA. And I remember that s*** was funny as hell. Yeah, I’ll never forget that s***. So, but yeah that’s funny how Pac ended up doing a song with my n**** too. That was found from me, know what I mean?

But as far as the rappers right now, you know there’s a few cats out there that I’m digging you know, s*** uhh, I like young jeezy, jeezy doin his thing. I like n***** that rap about getting money, cuz I’m a hustler so I like to hear that s*** when im out grinding in the streets. That s*** be motivating me to get my money.
Onealine: that’s right, motivation!

source: makaveli-board.net

Материалът Macadoshis of ”Thug Life” Interview е публикуван за пръв път на 2Pac Legacy.

Where Lived Tupac? Bronx, Baltimore, Marin, Oakland & L.A.

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Tupac had a difficult childhood filled with permanent relocations from town to town. As he says: ”Though east coast born, I’m west coast raised”

I loved my childhood, even though it was bad. I love it. I feel like it’s taught me so much. Nothing can faze me. Nothing in this world can surprise me. It might set me back, but only momentarily can it set me back. I think it’s helped me to learn.” – 17 year-old Tupac Shakur

Young Pac

1974-1983:  Tupac’s family living in the Bronx, moves to Harlem.  It is mentioned that during this time, Tupac and family were moving from shelter to shelter for a place to live.

Bronx, N.Y.
Tupac moved to Baltimore from New York City in 1984 with his mother, Afeni, and younger sister, Sekyiwa. The family lived in the first-floor apartment of a brick row house at 3955 Greenmount Avenue in the small, North Baltimore neighborhood of Pen Lucy. Tupac went to Roland Park Middle School for the eighth grade.
Address: 3955 Greenmount Ave, Baltimore, MD 21218, USA

Tupac’s Home / 3955 Greenmount Ave
Baltimore, MD 21218 / Google Image
Tupac Home, Baltimore, MD home 3955 Greenmount Avenue
Tupac Home, Baltimore, MD home 3955 Greenmount Avenue
Tupac Home, Baltimore, MD home 3955 Greenmount Avenue

June 1988 – Tupac’s family moved in Marin City, California

Tupac and [his sister] Sekyiwa arrived in Marin City, across the bay from Oakland, in 1988. He was seventeen years old and she was thirteen. They went to the home of Assante, a woman Afeni had been close to during her Black Panther days. Assante lived in a poor housing complex that was rife with crime. In fact Marin City’s crime rate had soared to such levels that people referred to the community as ‘the Jungle.’

The boy who arrived in ‘the Jungle’ was a deep-thinking bohemian who understood the works of Shakespeare and had donned a leotard for his dance classes and acted in several school plays. He was not a street tough. Sekyiwa was a smart, sweet girl who longed for stability. The kids were in way over their heads.

Assante had agreed to house them, so Afeni sent the kids ahead of her until she could come up with some money for a ticket of her own. One day she got a call from Assante saying that the kids needed a new home.

When Afeni got to Marin City, Assante was nowhere to be found. Tu­pac and Sekyiwa were with a neighbor. Afeni had no idea what her kids had been enduring. Assante was a raging alcoholic who often passed out on the floor and lay there sleeping for hours. She didn’t cook regular meals and never lost an opportunity to let them know that their pres­ence was a burden.

Assante, the onetime revolutionary, had shriveled into a mean drunk who habitually cursed them out. She saved most of her venom for Tu­pac, who represented every black male who’d ever hurt her or let her down.

Afeni had to find a new home for them fast but she had no money. While waiting for a government-subsidized apartment, the kids were farmed out to locals. Tupac was the neighborhood underdog. ‘Niggas that wasn’t shit and I knew it used to dis me… I got love but the kind of love you would give a dog or a neighborhood crack fiend.’


1992, Tupac moved in Oakland

The apartments address: Tupac A. Shakur, 275 Macarthur, Apt. H, Oakland, CA, 94610

Tupac’s First Apartment – 275 Macarthur, Apt. H, Oakland, CA, 94610 / google image

Shock G: ”At Tupac’s first apartment (MacArthur Blvd., Oakland), the stack of dirty dishes in the sink was so high it would lean against the refrigerator, while the pile of pizza boxes and take-out containers towering from his big outdoor-style garbage can would do the same on the opposite side. Sometimes it would get so tall that it met the loose junk on top (cereal boxes, magazines, baskets of snacks, papers) and formed a rainbow of garbage. For real too. Ask Man Man or Mopreme, or especially Mouse or Saafir, they both lived there with him at different times. Like any of the truly prolific geniuses throughout history, Pac’s weirdo traits were just as extreme.”

Tupac lived in the Oakland for only four years, but in those four years he set the foundation for the rest of his career – a career that pushed people to seek change and hold onto hope for those who are less fortunate. Tupac claimed Oakland as his own and pushed the community to fight for change.


1993 – Tupac bought her a 2.2-acre estate with a six-bedroom home in Stone Mountain, Ga.

Tupac’s House Atlanta, Georgia (Chi Modu Photo Shoot)

See more: Chi Modu Gallery

What about your house in Stone Mountain Atlanta, Georgia

Tupac: ”I gave the house to Kato’s family. He was a gangbanger in Atlanta who got murdered in front of his home in L.A. We went to amusement parks. I wanted his family to move to Atlanta from South Central. My family didn’t appreciate the house. I got a lot of family to take care of.” / Sister 2 Sister Interview


1996 –  The Last Tupac Home

Address: 4730 Azucena Road, Woodland Hills, Los Angeles, Los Angeles County, California 91364-4024, USA

It’s the place Tupac rented after being released from prison in 1995. He was in escrow to buy it outright when he was gunned down the following year in Vegas.
The 6,000 square foot, 6 bedroom home has been updated by the current owner, at a cost of around $1 million.

Tupac wisely kept the the opening lyric in stone … “Outlawz, Let no man separate what we create.”

Tupac Home – Outlawz, Let no man separate what we create.
Tupac Home – Outlawz, Let no man separate what we create.

Tupac’s apartment at Broadcast Center Apartments 7660 Beverly Blvd, Los Angeles, CA 90036

Tupac’s apartment at Broadcast Center Apartments

Afeni returned to Atlanta the morning of August 31, 1996. On her way to the airport, she stopped at the Wilshire Boulevard apartment Tupac used when he worked late. He seemed fresh, though, when Afeni buzzed him down to the lobby. “Why didn’t you just come up?” he asked. “Wanted to give you your space,” she said. “Got a whole lot of space,” Tupac said, gathering her in a hug. “How many mothers do I have?”

Tupac’s apartment at Broadcast Center Apartments

He went out to the car to say hello to his sister, who had recently enrolled in cosmetology classes. Afeni recalls: “He stood outside the car and said, ‘I’m very proud of you’ to her. They were always trying to make each other proud. She had gone back to school to help open a line of cosmetics with Kidada. She had been in school four months. That was the first time he acknowledged it, saying he was so proud. It was a nice warm feeling for a parent.”

Материалът Where Lived Tupac? Bronx, Baltimore, Marin, Oakland & L.A. е публикуван за пръв път на 2Pac Legacy.

The Story Of How Tupac & Big Daddy Kane Recorded ”Too Late Playa”

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Big Daddy Kane: “The night I did a song with Tupac, it was cool. It’s real funny, because of the way it came about. We were actually in Las Vegas at a [Mike] Tyson fight. We were sittin’ around talkin’ about doing something together. Suge Knight was like, ‘Why don’t y’all stop talking about it and go ahead and do this shit, man. Y’all can fly back tonight, and be back here tomorrow.”

Tupac & Big Daddy Kane

The fight would end in a Tyson TKO victory. That prompted Kane and ‘Pac to get to work. “And we got on a plane, left Vegas, went back to L.A. to Death Row’s [Can-Am] Studios and me and ‘Pac recorded a song. Me, ‘Pac, and [MC] Hammer recorded a song. And then I wrote a song for Hammer that he recorded.”

Too Late Playa – Tupac’s Handwritten Lyrics

Tupac and Big Daddy Kane recorded also ”Wherever U Are” song same night. All songs are produced by legendary Johnny ”J”.

Материалът The Story Of How Tupac & Big Daddy Kane Recorded ”Too Late Playa” е публикуван за пръв път на 2Pac Legacy.

21 Years Later: 2Pac’s Legacy Continue

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“Five shots and they couldn’t kill me,” he boasted in one song after recovering from the 1994 shooting. Then last year, in a song called “If I Die 2Nite,” he wondered whether “heaven got a ghetto for thug niggaz” and added with flip fatalism: “Don’t shed a tear for me, nigga. I ain’t happy here.”

Tupac, who survived being shot five times in a 1994 robbery, had courted and defied death in a series of violent confrontations. His bitter, explosive and often cruel music shocked critics but struck home to a generation of rap fans already hardened by life.

Tupac had been in critical condition since being shot four times last Saturday in Las Vegas by a man who pulled up beside his BMW in a white Cadillac and opened fire. The rapper was driving with friends to a nightclub after watching the world heavyweight title fight between Mike Tyson and Bruce Seldon.

Tupac’s Death in Las Vegas (Videos, Photos & Full Information)

On Friday the 13th, doctors tried to resuscitate Tupac several times, then Afeni said not to try again. When Tupac took his last breath Tupac’s aunt Gloria Jean praised his body and could bear witness to who it was. He died at 4:03 PM at the Intensive Care Unit. He was pronounced dead by Dr. Lovett of respiratory failure and cardiopulmonary arrest.

“People die but legends live forever.” – Tupac Shakur 

Материалът 21 Years Later: 2Pac’s Legacy Continue е публикуван за пръв път на 2Pac Legacy.

1995-09-20 ”Can U Get Away” Freestyle At Clinton Correctional Facility

Onike Day From “To Live & Die in L.A.” Video Talk About Tupac

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Onika Day (via Facebook): ”Me and my brother Tupac. I don’t like to talk about him a lot because in my heart I feel like he was special, an enlightened being. All the conversations we had, I’ll hold in my heart for a lifetime. He told me once “Nik you’re strong! So strong” and I have never forgotten that. This was on the set of his video to live and die in LA, he got mad at me because I didn’t want to be in the video…and he was stubborn as ever so I gave in lol . It turned out to be the most fun I’ve ever had. Oh PAC!!! So many tears thinking about ya kid, love you for all my days. When they killed him, they took a real solider.”

Onika Day and Tupac / Music Video For “To Live & Die in L.A.”

Материалът Onike Day From “To Live & Die in L.A.” Video Talk About Tupac е публикуван за пръв път на 2Pac Legacy.


2Pac feat. The Notorious B.I.G. – Thug For Life (DJ PHX Remix)

Dr. Dre

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Dr. Dre was born Andre Romelle Young to Verna and Theodore Young in Los Angeles, California on February 18th, 1965.
He grew up in Compton, raised mostly by his mother. Legend has it that Dre’s middle name, “Romelle,” came from his father’s amateur R&B singing group The Romelles.. A music fan from the start, Dre started working as a DJ in his teens.
Early on in his career, Dre deejayed under the alias Dr. J, a moniker inspired by his favorite basketball player, Julius “Dr. J” Irving.
His musical chops earned him a spot on the World Class Wreckin’ Cru alongside DJ Yella, Shakespeare, Cli-N-Tel, and Mona Lisa. Dre became the in-house producer/DJ for the short-lived electro-pop group.

His first major success came with the rap group N.W.A

Members: Arabian Prince (1986–1988), DJ Yella (1986–1991), Dr. Dre (1986–1991), Eazy-E (1986–1991), Ice Cube (1986–1989), MC Ren (1988–1991)

N.W.A. was the brainchild of Eazy-E who linked up with Ice Cube and Dr. Dre to form the hardcore rap group. In 1986, Young met O’Shea “Ice Cube” Jackson, a passionate devotee of early L.A. rap and aspiring rhyme-writer. The pair began writing lyrics for Eric “Eazy-E” Wright, a former drug dealer who started Ruthless Records with his profits. The trio eventually formed the nucleus of N.W.A. (Niggaz With Attitude), which brought harrowing, often exaggerated, tales of street violence to mainstream America, selling millions of records and transforming the hip-hop genre forever.

They released their self-titled first album in 1987. 

N.W.A. and the Posse is a 1987 Macola Records release that compiled various Dr. Dre-produced tracks and was marketed as an album by N.W.A. It includes previously released tracks by N.W.A, Eazy-E, the Fila Fresh Crew, and Rappinstine

A year later, N.W.A. followed up with Straight Outta Compton, a vicious street classic that resonated with the frustrations of the young, black and persecuted in LA. Straight Outta Compton became an underground success with relatively no airplay. N.W.A. became notorious for the group’s aggressive content.

N.W.A’s second album, 1989’s Straight Outta Compton sold 750,000 copies, and launched a media storm over the controversial “Fuck tha Police,” resulting in a “warning letter” from the FBI to the group’s distributor, Priority Records.
Like other N.W.A. members, Dre faced a series of tangles with the law. In 1991, he was charged with attacking the female host of a television rap show. He pleaded no contest and paid an out-of-court settlement to the host. In 1992, Dre was arrested for assaulting record producer Damon Thomas and later plead guilty to assault on a police officer, eventually serving house arrest and wearing a police-monitoring ankle bracelet.

Death Row Era

Dre left N.W.A and Ruthless Records in 1992 to co-found Death Row Records with Marion “Suge” Knight. Eazy-E later claimed in a lawsuit that Knight had negotiated Dre’s exit from Ruthless with the help of baseball bats and pipes.

In 1992, Death Row released it’s first single, “Deep Cover,” the theme of a movie of the same name, starring Laurence Fishburne. Also called “187,” the single featuring the debut of the rapper then called Snoop Doggy Dogg.

Snoop Dogg play a big part in the first album from Dr. Dre and Death Row, 1993’s The Chronic.

Snoop, who appeared on nine of the album’s 16 cuts, had a lackadaisical style that meshed perfectly with Dre’s funk samples, drawn largely from Parliament-Funkadelic. Snoop figured prominently in the breakout single, “Nuthin’ But a ‘G’ Thang,” which hit Number Two and was a fixture on MTV, along with subsequent singles “Fuck wit Dre Day (and Everybody’s Celebratin’)” and “Let Me Ride.”

The Chronic went triple platinum, appeared on many critics’ year-end Top-10 lists, and earned Dre a Grammy for Best Rap Solo Performance on “Let Me Ride.” Later in the year, Snoop released his solo debut, DoggyStyle, produced by Dre, which would land at Number One, sell 4 million copies and spawn Top-10 hits “Who Am I? (What’s My Name),” featuring Dre and Jewell and “Gin and Juice,” featuring Daz Dillinger.

Dre would serve as house producer at Death Row for a few years, producing soundtracks for Above the Rim and Murder Was the Case, releasing “Keep Their Heads Ringing” (Number 10, 1995) for the Friday soundtrack, and collaborating with Ice Cube on “Natural Born Killaz” (Number 95, 1994), and with new Death Row signee Tupac Shakur on
“California Love” (Number One, 1995).

When Snoop Dogg was on trial for murder a witnesses in the trial said Dr. Dre was in the car, if he had appeared at court he could have testified, but instead he said that he was too busy. This pissed ‘pac off because he thought that Dre wasn’t showing his homeboy Snoop, and the Death Row camp, loyalty. Tupac also didnt like the way Dre because he was earning stacks from Death Row for doing nothing, since ‘The Chronic’.

Tupac disses Dre in many songs after Dre left Death Row, even questioning his sexuality, in the song “To Live & Die In L.A.” 2Pac claims that Dr Dre is homosexual and he does the same in “Toss It Up“. Tupac also dissed Dre for been a Gangster one minute, and not the next. In “Toss It Up” Tupac takes big digs at Dr Dre saying; “”No longer dre day, arrive derche, long and forgotten, gotten for plottin-child’s play, check your sexuality, as fruity as this alize quick to jump ship, punk trick, what a dumb move cross Death Row, now who you gonna run to? Like those other suckers cuz you similar, pretendin to be hard-oh my god-check your temperature, screamin Compton, but you can’t return, you ain’t heard brothas pissed cuz you switched and escaped to the burbs”. Tupac also claimed that Dr Dre cheated on his wife, “What’s down in the darkness, will come to light”.

But as details of Suge Knight’s corrupt dealings came to like and Dre became embroiled in a contract dispute, he left Death Row to form Interscope imprint Aftermath. The first single on the debut Aftermath LP, Dr. Dre Presents the Aftermath, was “Been There, Done That,” a repudiation of the highly publicized West Coast–East Coast hip-hop feud.

In 1996, due to the infighting, Dr. Dre left Death Row Records to found Aftermath; which provoked 2Pac to turn against Dr. Dre. Tupac said in a radio interview: “I’m out here on the streets…whooping niggers’ asses, starting wars and shit, putting it down, dropping albums, doing my shit and this nigger’s taking three years to do one song”

Despite all this Dr Dre still paid tribute to ‘pac in 2000 during ‘The Up In Smoke Tour’, saying that it was a pleasure to work alongside 2Pac.

A year later, Dre hooked up with The Firm (a supergroup consisting of Nas, AZ, Nature, and Foxy Brown) and produced most of the tracks on their self-titled debut.

Dre’s next big break arrived when he met a Detroit rapper named Eminem. 

There are many variations of the story, but word has it that Dre found Eminem’s demo tape in the garage of Interscope label chief Jimmy Iovine. Eminem was already making rounds in the underground circuit, having placed 2nd in the freestyle category at 1997’s Rap Olympics MC Battle in Los Angeles.
Iovine approached him for a tape afterward. When he played the tape for Dre, the west coast beatsmith was impressed. He reached out to Eminem.

Like a magician who has just discovered a new trick, Dre made Eminem a prominent fixture on his records. With Dre’s production prowess and Eminem’s lyrical aptitude, Aftermath would become one of the leading hip-hop labels in the world.

The Slim Shady LP

The one-two punch of Slim Shady and Dr. Dre reminded many fans of his chemistry with Snoop. Dre and Em collaborated extensively, leading to the commercial success of albums like
The Slim Shady LP

The Marshall Mathers LP

The Marshall Mathers LP

“2001”

“2001”

2001, which featured many of the MCs he produced, including MC Ren, Snoop Dogg, Xzibit, and Eminem, and landed at Number Two on the chart. Using fewer samples than The Chronic, the album broadened Dre’s sound to include string arrangements and reggae beats. The album included single “Still D.R.E., featuring Snoop Dogg” (Number 93) and “Forgot About Dre,” featuring Eminem (Number 25) and helped Dre win Producer of the Year at the 2000 Grammys.

50 Cent joined the fold a few years later. Again, with Dre at the helm, 50 became an instant star.

He would go on to sell over 12 million copies of his own debut, Get Rich or Die Tryin’, thanks in part to Dr. Dre’s midas touch on the monstrous lead single “In Da Club.”

Tragedy struck the Young family when one of Dr. Dre’s sons, Andre Young Jr., was found dead in his bedroom in August 2008.

Dr. Dre’s 20-year-old son was found dead over the weekend in his Woodland Hills home, coroner’s officials said.
Andre R. Young Jr. had been out with friends the night before and was discovered in his bed by his mother at 10:24 a.m. Saturday, Los Angeles County coroner’s spokesman Ed Winter said.
“She found him unresponsive and called paramedics,” Winter said, adding that an autopsy had been completed but that determination of the cause of death was deferred pending the outcome of a “gamut of tests, including toxicology.”
Andre Young Sr., professionally known as Dr. Dre, released a statement to the media through a representative.

“Dr. Dre is mourning the loss of his son Andre Young Jr. Please respect his family’s grief and privacy at this time,” his publicist, Lori Earl, said in the statement.
Young Jr. was the subject of a paternity dispute in 1990 when his mother, Jenita Porter, filed a lawsuit against Dr. Dre in Orange County Superior Court, seeking $5,000-a-month child support.

Over the course of his career, Dr. Dre has built a reputation for stressing quality over quantity. While your typical hip-hop artist may average an album a year, it takes Dre anywhere from 7 to 10 years to release an album. Meanwhile, he stays busy by crafting beats for his artists behind the scenes.

Detox, Dre’s 3rd and final solo album, has remained one of the most anticipated albums over the past decade and change. When will it arrive? Only one man knows the answer to that.

One thing that has kept Dre busy and uber relevant in lieu of a new album is his headphone brand, Beats by Dre. In 2006, Dre and Interscope honcho Jimmy Iovine teamed up  to produce high-end headphones. They first Beats by Dre studio headphones launched in 2008. The Beats brand has since expanded to include a host of headphones, ear buds, speakers and a streaming service.

On August 1, 2014, Apple acquired Beats Electronics for $3 billion, making it the largest acquisition in the company’s history.

Материалът Dr. Dre е публикуван за пръв път на 2Pac Legacy.

The D.O.C.

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Tracy Lynn Curry (born June 10, 1968), better known by his stage name The D.O.C. Also known as Doc-T, The Diggy Diggy Doc is an American rapper from Dallas. In addition to a solo career, he was a member of the hip hop group Fila Fresh Crew and later collaborated with gangsta rap group N.W.A, where he co-wrote many of their releases as well as Eazy-E’s solo debut album Eazy-Duz-It. He has also worked with Dr. Dre, who is one of the founding members of N.W.A and produced two of his solo albums.

In addition to a solo career, he was a member of the hip hop group Fila Fresh Crew and later collaborated with gangsta rap group N.W.A, where he co-wrote many of their releases as well as Eazy-E’s solo debut album Eazy-Duz-It. He has also worked with Dr. Dre, who is one of the founding members of N.W.A and produced two of his solo albums.

In 1989, he released his debut album, ”No One Can Do It Better”

which reached number-one on the US Top R&B/Hip-Hop Albums chart for two weeks and spawned two number one hits on the Hot Rap Songs chart: “It’s Funky Enough”

and
“The D.O.C. & The Doctor”

The album went platinum five years after its release. In late 1989, months after the release of No One Can Do It Better, The D.O.C. almost died when a car accident occurred. When the arriving paramedics tried to insert a breathing tube, he fought them, which caused his larynx to be scarred. In a flash, his melodic, sing-song flow and famous verbal dexterity was gone.

In 1991, The D.O.C left Ruthless Records along with Suge Knight, Dr. Dre and Michel’le to sign with newly founded Death Row Records. Dr. Dre also used his talents as one of the writers for his debut solo album The Chronic, contributing to the tracks “Lil’ Ghetto Boy”, “A Nigga Witta Gun”, and “Bitches Ain’t Shit”. He also appeared on the skit track “The $20 Sack Pyramid”. He is referenced by name in “Nuthin’ but a G Thang”, and appears in the song’s video as well. The liner notes to The Chronic say, “I want to give a special shout out to The D.O.C. for talking me into doin’ this album.” His name is mentioned by Snoop Dogg in the intro of the album. (“Peace to da D.O.C., still makin’ it funky enough”).

Though he would go on to ghostwrite big hits from Dr Dre and Snoop Dogg, like Nuthin’ But A ‘G’ Thang, Lil Ghetto Boy, Serial Killa, The Next Episode and many more. Since his recovery, he has released two more albums, Helter Skelter in 1996 and ”Deuce” in 2003, both released 7 years apart.

Since 2006, The D.O.C. has been working on new material for his fourth album Voices through Hot Vessels.

October , 2015 at a club in his hometown on Saturday night, he performed what was billed as his first show in decades. Playing old hits and some new songs before an ecstatic crowd, he was flanked by singer Erykah Badu (the mother of his daughter Puma) and Scarface, the Geto Boys rapper who went on to become one of the south’s most-lauded rappers – perhaps in DOC’s place. By all accounts, it was a high-energy, inspiring performance.

The D.O.C. dated Erykah Badu for several years but never married. Together they have a daughter named Puma Curry, born on July 5, 2004. Prior to Badu The D.O.C. dated Shannon Hendricks while living in Pasadena California. They never had children.

Материалът The D.O.C. е публикуван за пръв път на 2Pac Legacy.

Michel’le

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Michel’le Toussant Known mononymously as Michel’le, was born December 5, 1970.

One of the more interesting urban contemporary vocalists of the late ’80s and early ’90s, the Los Angeles-based Michel’le was known for having a squeaky, high-pitched speaking voice and an aggressive, full-bodied style of singing. Some people jokingly called her the Betty Boop of urban contemporary, although the Boop comparisons had more to do with her speaking voice than her singing (which could be quite gritty at times).

Michel’le, who is best-known for her smash hit “No More Lies,” favored a very hip-hop-minded approach to R&B, and that isn’t the least bit surprising when you take into consideration the company that she kept. The members of N.W.A. – especially Dr. Dre and the late Eric “Eazy-E” Wright – were partly responsible for the success of Michel’le, who pronounces her name “meesh-a-lay.” And her manager was music industry veteran Jerry Heller, who was also managing N.W.A. back then.

 Michel’le was a young neo-soulstress who had strong ties to the hip-hop world. It was in 1989 that Michel’le signed with Eazy-E’s Ruthless Records, which was the home of N.W.A. as well as Dallas native the D.O.C. and the female pop-rap group J.J. Fad (of “Supersonic” fame). Ruthless was distributed by different labels, depending on the artist. N.W.A. (one of the most important and influential groups in the history of gangsta rap) went through Priority, while the D.O.C., J.J. Fad, and Michel’le were signed to Ruthless/Atlantic. Although Ruthless was primarily a rap label, Dre and Eazy wanted to branch out into urban contemporary singing; and Michel’le, although quite hip-hop-influenced, was very much an urban contemporary singer.

In 1989, Dre produced Michel’le’s self-titled debut album; Eazy served as executive producer, while the mixing was handled by Dre and DJ Yella (another N.W.A. agitator). But, despite the participation of all those N.W.A. members, Michel’le’s album didn’t sound anything at all like that group’s controversial and disturbing gangsta rap; and unlike N.W.A.’s Straight Outta Compton, it enjoyed a great deal of exposure on urban radio. The funky “No More Lies,” Michel’le’s debut single, was a major hit on the same R&B stations that went out of their way to avoid Straight Outta Compton; it was also a big pop hit and reached the Top Ten on Billboard’s pop singles chart. The equally funky “Nicety,” which was released as a single in 1990, was another major hit, and “Keep Watchin'” (the album’s third single) also fared well.

In 1991, Michel’le became the victim of some East Coast/West Coast rivalry; that year, Bronx rapper Tim Dog(formerly of the Ultramagnetic MC’s) said some insulting things about Michel’le and Dre on his angry, West Coast-bashing single “Fuck Compton.” Unlike the infamous, well-publicized feud that L.A.’s Death Row Records/Suge Knight clique and New York’s Puff Daddy/Bad Boy Entertainment/the Notorious B.I.G. clique had several years later, Tim Dog’s war of words with the members of N.W.A. didn’t turn deadly; nonetheless, Michel’le was said to be furious over the things that Tim Dog said about her on “Fuck Compton.”

She also provided vocals on 2Pac’s songs “Run Tha Streets“, ”Happy Home”, Playa Cardz Right”, ”Welcome To Death Row”, and Tha Dogg Pound’s song “Let’s Play House” on their debut ”Dogg Food” album

Michel’le’ had relationships with two of hip hop’s biggest names.

Dr. Dre and Michel’le

Michel’le was originally a featured female vocalist on World Class Wreckin’ Cru’s 1987 single “Turn Off the Lights.” Soon she caught the attention of Eazy-E and signed to his label. Dr. Dre served as the sole producer on the South Central native’s self-titled debut album and because they worked so closely in a professional manner, their relationship soon became intimate. Michel’le gave birth to Dre’s fourth child, a son named Marcel. 

The two were a couple for 6 years. 
During their relationship, which included parenthood and an engagement, Dre raised his hand to Michel’le several times. According to Michel’le he broke her nose, cracked her ribs and blackened her eyes. The relationship prompted a downward spiral into substance abuse for the chart-topping singer.

In 1999, Michel’le found solace with Death Row Records founder Suge Knight

The two married and welcomed a daughter Bailei. Although, the marriage was invalid because Knight was still married to another woman. The couple was together for eight years, with Suge being incarcerated for six of them. Currently Suge is back in jail on a 2015 attempted murder charge. “I am used to Suge’s behavior,” Michel’le said in a recent interview with the Daily Mail. “Most of our relationship was under the shadow of him being in and out of prison and always being in trouble.”

Michel’le admits that she wanted to have sex with Tupac on the Wendy Williams show.

American biographical television drama film that premiered on Lifetime on October 15, 2016 – Surviving Compton , narrated by Michel’le. The story of R&B artist Michel’le, who rose to fame in the late 1980s when she signed on to Eazy-E’s Ruthless Records.

Surviving Compton, the Lifetime biopic about Dr. Dre’s former girlfriend Michel’le, and its debut on television lit Twitter on fire, particularly for its portrayal of a side of Dr. Dre that many of his fans and supporters may have swept under the rug over the years.
In addition to the film shining a light on the hip-hop mogul’s past actions of alleged domestic violence against Michel’le, which was a part of the story ”Straight Outta Compton” neglected to include, was how Tupac came into play.

As many took to social media to voice their anger and commentary as they watched the Lifetime movie for the first time, former Death Row artist Daz Dillinger also decided to give his two cents.
“Did you see where Suge Knight was talking to Tupac like that in her movie?” Dillinger said in a clip he posted to Instagram. “I don’t recall no s**t like that. Tupac wasn’t going for no s**t like that. I wouldn’t go for no s**t like that or we’d have a lot of fights. I ain’t heard of no s**t like that. That b***h lie.”

Daz Dillinger Speaks For Michel’le Sexual Relationship With Tupac

Filmed from Michel’le’s point of view, made in partnership with Sony Pictures Television and Thinkfactory Media, Surviving Compton portrays billionaire rapper and former N.W.A. star Dr. Dre as an extremely violent, abusive boyfriend, who beats and threatens Michel’le, Dre’s girlfriend at the time. There are scenes of Dre’s character pulling Michel’le’s hair, punching her in the face and even pulling a gun on her. She claims that she needed corrective surgery for a broken nose.

Dre’s legal team sent a cease and desist letter to Sony Pictures before the biopic aired. According to reports, Dre denies accusations of ever abusing the R&B singer, and claims that Michel’le never filed a police report nor sought out medical help. In addition to the cease and desist letter, Dre’s attorneys threatened Michel’le with a defamation of character lawsuit to potentially influence her into backing down from releasing Surviving Compton. Michel’le relies solely on testimony from those who witnessed the abuse since she admittedly has no legal documentation to prove that Dre ever abused her. She responded to Dre’s claims that she was never physically abused.
It is very rare for someone like Dre to win a case like this; to prove that something didn’t happen. A couple of years ago, Scarlett Johansson was relatively successful in a defamation case against novelist Gregoire Delacourt, who portrayed a “Johansson look alike” as a “sex object” in his novel “The First Thing We Look At.”

In Scarlett Johansson v. Gregoire Delacourt, the starlet was awarded a meager $5,000 for the “hurtful and demeaning” depiction of her. Johansson accused Mr. Delacourt, a bestselling French novelist, of borrowing her image to promote the novel. She claimed that the book portrayed her having two relationships that she never mentioned herself, although Johansson had disclosed details of her private life in various interviews throughout her career. A French judge agreed with Johansson that Delacourt “fraudulently exploited her name, her image and her celebrity.”

If Dre’s suit against Sony and Michel’le is not dropped or thrown out, Dre would have to prove, on a public stage, that he did not abuse Michel’le and that his reputation has been harmed. Dre would have to refute testimony from the other side, and the entire world would relive his past, one he doesn’t seem to want to dig up. It seems like a big risk for Dre and, for that reason, the suit will probably never reach the courtroom.

Official Twitter

Материалът Michel’le е публикуван за пръв път на 2Pac Legacy.

Fan Story: How She Met Tupac in Atlanta

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“I had attended the Jack the Rapper convention back in 1993 and my friend and I saw him walk by so I just said ‘Hey 2Pac, can I take a picture?’ and he shook his head yes and came over. I almost passed out! It was an experience I will never forget!!!” – Camille (fan) share her story on how she met Tupac in Atlanta.

Материалът Fan Story: How She Met Tupac in Atlanta е публикуван за пръв път на 2Pac Legacy.

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